Notes from yesterday's AOI talk with Lou Bones.
Web & Social Media
• Image-based is best, as predominantly viewed on mobiles and tablets.
• Contact pages - Email, social media links. Contact forms can deter people from getting in touch! Used by big businesses to filter out queries.
• Blogs are optional, but if used, keep updated.
• Personal projects are important, don't put up work you dislike.
• Pages - simple is best, avoid having too many subpages and click-throughs. Email on homepage shows method of contact right away
• Twitter - the creative community use this well. A place for dialogue (discussing issues and trends), and to have a voice
Work & Clients
• Study the industry and discover where your niche is (organisations, brands, editors, art directors)
• Select clients that your work is appropriate for.
• Address clients by name, not formalities (Sir/Madam). Approach as a professional and not a student, no need for a huge intro. Speak business to business.
• Sending physical promotional material is always interesting for recipients.
Freelance & Business
• Apply for sole trader status if earning from your business.
• Register for income tax 3 months after your 1st commission.
• Annual tax returns (end of January)
⤷ Pay tax on what you've earned
⤷ You can claim back on your business outgoings (e.g. Adobe, materials, studio, travel, cultural expenditure = exhibitions, trips, cinema...)
• Next year, this becomes 4x annually. There are apps that can help (Quickbooks, Zero)
⤷ Keep all relevant receipts
⤷ Keep all relevant paperwork, contracts, invoices
Copyright
• The right to copy, reproduce work. This is automatically granted to the creator.
• You lend out / license your artwork to client for a length of time, for a specific format (e.g. on a billboard for 6 months)
• Copyright isn't applied to an 'idea' or 'style'. A generic illustration is hard to protect.
Copyright Infringement
• Be careful of stock images or photography, if it resembles the source it is infringement.
• Celebrities, their likeness, and unofficial merchandise can be taken down
Copyright Assignment
• When you relinquish your copyrights to a client.
• You can't even used in a portfolio or online
• Instead, offer licenses (e.g. "Yes you can use this piece for 3 months for £3000")
• Clients ask for copyright assignment usually when they don't want to pay the correct fee. Don't give all rights to the client, this is a rights grab.
Moral Rights
• Right of Paternity: The right to be identified as the creator
• Right of Integrity: The right for your work not to be mistreat / changed / edited / cropped
Rights Online
• Low res files (72dpi) are still good for the web, but prevent people from stealing and printing - as it's unsuitable for print
• Use copyright symbol on all pages; blog, instagram, website... (© Bronte Hall 2018)
Contracts
• Written = Good Verbal = Bad
• Use for every job, big or small (use Acceptance of Commission form)
• WHO is going to do WHAT by WHEN and for HOW MUCH, and state your basic rights.
• You can amend a contract, don't send work before seeing a contract! Once work is sent, you have agreed.
• Invoices aren't legally binding, contracts are. They are also written evidence
Ask a Client
• Where will the illustration be used?
• How long will it be used for?
• What size and format purpose?
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